![]() On top of that, ‘Igor’ also features Charlie Wilson (who guested on that same West song). ‘The Boy is a Gun’ samples ‘Bound’ by the Ponderosa Twins Plus One – which was also sampled on Kanye West’s ‘Bound 2’. There are also multiple references to ‘Igor’ guest Kanye West a skilled and prolific sampler in his own right. And towards the end of the record, Carmichael wraps things up: ‘Igor’ is mourning a relationship that could’ve gone somewhere but didn’t: ”I hate wasted potential,” he says, “that shit crushes your spirit.” A monster built with samplesĪ record that sees Tyler, The Creator flexing his production muscles, ‘Igor’ also sees the artist deploying recognisable samples in a new way. There’s always an obstacle,” he says on ‘I THINK’, shortly after the infatuated high of ‘EARFQUAKE’. “Exactly what you run from, you end up chasing/giving it everything that you can. Appearing on tracks three, five, eight, nine, and ten, snippets of speech from Carmichael seem to function as narrator’s asides, making sense of Tyler/Igor’s state of mind as the record progresses. There’s another direct reference to Call Me By Your Name on ‘I Think’ – “Man, I wish you would call me/ By your name ’cause I’m sorry”Ī post shared by Tyler, The Creator on at 11:29am PDTĪlongside guest collaborators like Solange, Playboy Carti, La Roux, Cee Lo Green, Jack White, Charlie Wilson, Jessy Wilson, and Kevin Kendricks, ‘Igor’ also features the comedian Jerrod Carmichael. ![]() I wanted to check out a lot of the dance clubs out there and shit, but I didn’t.” Instead, Tyler most likely ended up working on a handful of songs And I wanted to live in that moment for a day… So me, Solange, and Frank, we flew to Lake Como, Italy. “You have Sade, you have so much Nigerian rock… in the ’70s they made a lot of funk, a lot of dance-disco… they used to take photos of all the young kids who would go to these disco parties and dance and dress up and shit. “My dad’s Nigerian, supposedly, and Nigerian music, it’s good,” the rapper expanded, speaking about the trip during a concert live-stream on Apple Music. He’s also rapped about Timothee Chalamet, who played lead character Elio in the film previously: “Tell Tim Chalamet to come get at me,” he says on ‘Okra’.ĭuring the making of ‘Igor’, Tyler flew out to the idyllic Lake Como in… you guessed it, Northern Italy, with Frank Ocean and eventual album collaborator Solange. Set “somewhere in Northern Italy” the plot of Call Me By Your Name bears several strong similarities with the narrative of ‘Igor’ – it doesn’t exactly end happily ever after for Elio and Oliver – and Tyler, The Creator’s location on Twitter is a direct reference to the book. It’s common knowledge that Tyler, The Creator is a huge fan of Call Me By Your Name the Oscar-nominated adaptation of André Aciman’s novel. It’s as if the two personas are cooking up the album in a lab together, and toiling over how much to reveal in the final performance. The tension between the two voices hints at a nagging artistic dilemma weighing up the vulnerable sincerity of ‘Flower Boy’ against the shock factor that defined the rapper’s earlier material. On ‘PUPPET’ Kanye West appears to be acting as the voice of Igor: “You lost, son, and you’ve been tryna find your way to me” he snarls, in stark contrast to Tyler’s helpless verses. For every pitched up, helpless admission on ‘RUNNING OUT OF TIME’ drenched in sincerity, Igor is the meaner, lower register counterpoint. And rather than Igor representing the person Tyler’s in love with, it seems more likely that Igor represents the angrier side of heartbreak. “My eyes are green, I eat my veggies,” goes ‘NEW MAGIC WAND, “I need to get her out the picture”. In another visual, a stage performance of ‘NEW MAGIC WAND’ pans out to reveal a five audience members watching his gig in the desert.Īt its heart, ‘Igor’ is a heartbreak album, picking up the pieces of a love interest who leaves and chooses their girlfriend instead. The musician, sporting turquoise suit, bleach-blonde wig and sunnies, can only blurt out a nonsensical “yes”. Often, the visuals we’ve seen from ‘Igor’ examine performance: in the video for ‘EARFQUAKE’ Tracee Ellis Ross – playing a brilliantly gushing daytime telly host – says to Tyler “you are a performer, I understand. ![]() Likewise, there are two distinct voices on the record: often Tyler’s vocals are pitch-shifted into a higher register, but occasionally another distinct lower-register voice pops up. ![]() ![]() There are two clear personas on ‘Igor’ – the Andy Warhol-meets-campy-soul-singer character, and the short-haired, more serious face on the cover of the album. ![]()
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